印象派歌曲《佩利亚斯与梅丽桑德》的历史影响
毕业论文
摘 要
克劳德•阿希尔•德彪西是19世纪末20世纪初的法国印象派音乐的创始人。印象派音乐标志着西方现代音乐的开始。
克劳德•阿希尔•德彪西的歌剧《佩利亚斯与梅丽桑德》是德彪西创作的唯1的'1部歌剧，和他的其他钢琴、管弦乐作品1样带有印象主义风格，是他创作成熟时期（1900~1910）的作品。这部20世纪最重要的法国现代印象派歌剧是歌剧史上风格独特、极附有创造力的划时代的杰作，同时对于丰富现代音乐作品、开拓现代音乐技法、尤其是开拓新的歌剧风格等作出了有益的尝试和积极的影响。
本文通过查阅大量的有关文献，对照曲谱及其音响，努力以音乐本科生的理论认识水平来了解歌剧《佩利亚斯与梅丽桑德》在音乐语言上的印象派表现特征对20世纪现代音乐特别是对现代歌剧创作重要的启发性意义。
关键词：《佩利亚斯与梅丽桑德》；法国印象派歌剧；西方现代音乐； 印象派语言特征
ABSTRACT
Claude-Achille Debussy is father of French impressionist music in the late of 19th century and the early of 20th century.The born of impressionist music is the symbol of the starting of western modern music.
Piliyasi and Meilisangde is the opera that composed by Debussy and it is his only opera composition.During his composed maturing perrod(1900~1910),he composed other panio and orchestra works.As well as his opera works are all with impressionist style.Piliyasi and Meilisangde,the most important French modern impressionist opera in 20th century,is not only the cross-century masterpiece in opera history with uniqe style and imagination,but aslo fully and completely decidated to enrich modern music works and reclaim modern music skills,especially in new opera style field etc.
As a under-graduate student in Music Department,the auther searched plenty related documents,compared with music and its acoustics,applied his learned knowledge、skills and acquired information to study the impressionist characteristics of the opera Piliyasi and Meilisangde,in music language and its profound enlrghtening effection on modern music in 20th century ,particularly on composing modern.
Key words: Piliyasi and Meilisangde; French impressionist opera; Western modern music; Impressionist characteristics
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