从《水中倒影》看德彪西钢琴音乐的演奏风格
毕业论文
摘 要
德彪西是印象主义的创始人和杰出代表。他的创作不是用音符来完成,而是通过他对声音和色彩的最特殊的感悟力,用他独具特色的.创作技巧,用最引人入胜的音响构筑而成。德彪西的钢琴创作作品足以帮我们了解这1伟大作曲家。笔者通过对德彪西《水中倒影》的曲式、调式调性、声音概念的变化的分析，探讨了德彪西其和声风格和演奏风格，并讨论了演奏中的难点及相应的解决方法。
印象主义音乐对手指技巧、踏板技术等都提出了新的要求，也对于听觉感受、观念意识、心灵体验都进行了全方位的更新，使人进入1种全新的理念。演奏并把握好印象主义时期德彪西的作品，必将达到1个新的境界。
关键词：印象主义；曲式；调式调性；声音概念的变化；作品演奏
ABSTRACT
A remarkable representative and founder of impressionism, Debussy, whose works were accomplished not by music tones but by his special understanding about music and color, by his unique, on compared skills and tones, building together. Debussys piano creation work enough enable us to fully recognize this great composer. This author mainly talks about the composition style of<In Water Inverted Image > of Debussy. emphasizing his stone personality, analyzing the variability of his voice conception. We will exam the sound style and performance style of Debussy. Finally we will discuss the difficulties when we perform his works and also give some suggestions.
Impression of fingers, music skills, treadle technology have presented new demands, but also for hearing feelings, ideas, consciousness, spiritual experience is a comprehensive update of entering a completely new concept. Recital impression, and a good grasp of the period Debiaoxi works will reach a new level.
Key words: the impressionism; composition style; style and personality of tone;
variability of voice conception; the work performance
目 录
摘要 I
ABSTRACT II
绪论 1
1、印象主义时期德彪西的音乐 1
2、《水中倒影》印象主义的艺术特征 2
1. 曲式结构 3
2. 调式调性 3
3. 声音概念上的变化 4
(1) 和声 4
(2) 复杂的层面 6
(3) 力度 7
(4) 触键 7
(5) 踏板 8
3、总体概括德彪西钢琴音乐的演奏风格及对后世音乐的影响 8
1. 演奏风格 8
2. 对后世音乐的影响 10
结论 11
参考文献 12
致谢 13
包括：毕业论文、开题报告、任务书、中期检查表
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