《等待戈多》(En attendant Godot)，又译做《等待果陀》，是一出两幕剧，写的是发生在两个黄昏的事情。在乡间的一条路上，有着两个身份不明的流浪汉在一颗大树下等待着一个名叫戈多的人。但是他们不知道戈多是谁，也不知道戈多会不会来。剧作无论是从内容上还是到表演形式上，都体现出了与传统戏剧截然不同的荒诞戏剧。
Waiting for Godot (En attendant Godot), also translated as "waiting for fruit," is a two act play, written in two dusk. On the road in the countryside, there are two unidentified tramps waiting for a man named Godot under a big tree. But they do not know who Godot is, nor do they know if Godot will come. Drama, both in content and in form of performance, shows absurd drama which is completely different from traditional drama.
Of course, "waiting for Godot" is a kind of wait for a kind of waiting situation, but not enough. The work is so meaningful and memorable that it is so thought-provoking and unexcavated. No matter what the critics comment on Godot, the absurd scenes in the works are everywhere, and Beckett writes the human nature of human nature with the absurdity of his life. "Waiting for Godot" shows the fracture of memory, the fracture of communication and the broken fragments of thinking. The song of the age of sexual fracture has outlined the cracks of humanity one by one, reflecting the anxiety and generation of the generation. Beckett, like an affectionate poet, uses him as an understatement, but is full of paper and absurd writing that presents the whole human character of a broken human nature, as well as a torch that brings light in the dark to inject a little hope into a meaningless and helpless life.
"Yes, those two thieves, do you remember that story?" "remember", this is the conversation between the two tramps, and the words that just said to the other listener immediately did not remember, or he did not remember, but refused to remember. "What did we do yesterday?" "as far as I see, we've been here yesterday." "do you recognize this place?" "but which Saturday? And isn't it Saturday? Isn't it Sunday! Or Monday? Or Friday?" one and three again and again to express the uncertainty of oneself to the individual. The shoes that are worn by Stella are for a while. This is the color for a while, too small for a while, and too large for a while. I am unable to confirm my situation and refuse to confirm it. These uncertain statements show the absurdity and fragmentation of memory space caused by the rupture of this memory. The conversation between love and Vladimir is also a preface. Mutual communication also presents an impossible situation. It shows the unreachable distance between people and the sense of strangeness which can not be relieved.
There are no vivid and lifelike characters in the play. There is no dramatic conflict of drama. There is no dramatic plot that is usually recognized by people. From the beginning to the end of the scene, some are only the repetitions of boring empty words and nightmares, and the dramatic characters in the play are also a broken stage image, some are only wandering. The Han, the terrible master and the servant two. This kind of fragmentation is displayed in accordance with the whole text structure, and is integrated with the human nature fracture in the full text.
There are many words in the script, "I have gone", and the dramatic action is &q